Hokum: A Balance of Cheapness and Luxury
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.

A realistic romance about a woman who wants to be loved and a man who doesn’t know how to express love. Cha Min Jae is the CEO of MinArt. Although he seems to have it all, he is a character who doesn’t know to give or receive love. A middle school nurse, Oh Jin was determined to not live a lonely life like her mother, but she realizes that she is not receiving care in her relationship and decides to end it.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
A historic documentary about the iconic Disney character gives viewers a glimpse into animation.