Making a Killing in 'Killers of the Flower Moon'
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

In this classic exploration of marriage in conflict, Billy and Antoinette Edwards—as well as their son Bogart and dog Merton—live out their daily lives. Hoping to discover the heart of the trouble in their marriage, Billy and Antoinette offer up their day to day lives to documentary filmmaker Allan King, as laughter, tears, wit, tenderness, anger, patience, pain, and sorrow ensue.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Growing up with a lot of siblings, young Beth felt ignored her immediate family. Uncle Frank made her feel seen, heard, and accepted.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).