Wuthering Heights— What is the cost of love?
Wuthering Heights— What is the cost of love?
A Man's Skin
In 1480, or thereabouts, as Princess Blanche prepares to unite with the handsome prince of a neighboring kingdom, her father decides to marry her to Melchior, his coarse army commander whom she barely knows. Devastated, she asks for the help of her godmother, who reveals that she is in possession of a mysterious “skin” which, once worn, will allow Blanche to become a man and thus get to know her fiancé incognito.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
In 1480, or thereabouts, as Princess Blanche prepares to unite with the handsome prince of a neighboring kingdom, her father decides to marry her to Melchior, his coarse army commander whom she barely knows. Devastated, she asks for the help of her godmother, who reveals that she is in possession of a mysterious “skin” which, once worn, will allow Blanche to become a man and thus get to know her fiancé incognito.
Rating:
Genre:Comedy, Fantasy, Music
Written By:Léa Domenach, Clémence Dargent
In Theaters:
Box Office:
Runtime:105 minutes
Studio:Trésor Films, France 3 Cinéma, uMedia, Karé Productions, Playtime
Articles You May Like
Weapons Shows Intriguing Human Relationships in Mundane American Town Life
For those tranquil houses with white fences, what is happening behind every closed door?
‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Weapons: Smartly Entertaining, Deeply Disturbing
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
'The Hand of God': Authentic Memory or Cliché Love Letter?
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.