
After a millennia of taking souls, Death decides to hang it up and finally get one of those "lives" humans are always talking about. Before he can do that, he has to deal with Ashley; a teenage girl determined to end her life. This leads to an ideological tug of war as the two of them debate the question "who controls your life... and death?"
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
In this high-flying mission, the pups gear up with jets to stop the Duke of Flappington and save Barkingburg.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.