“Bound” Review: A Thrilling, Sultry, and Timeless Love Story
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.

A MAN, A WOMAN, AND A KILLER is the story of a small-time gangster (Dick Richardson) writing his journal in a Mendocino, California, farmhouse, as he awaits a hit man who is coming to kill him. In this first part of a trilogy, realities continue to shift between the story, and the actual making of the film, as seen through unscripted scenes, real-life narrations by lead actors, and the real relationship that developed on the set between Richardson and the actress (Carolyn Zaremba) who played his girlfriend. A bumbling, local librarian (played by Ed Nylund) is mistaken for the "killer" and plays along with the game.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
The Super Mario Galaxy Movie comes on the heels of its billion-dollar grossing predecessor, and seeks to do absolutely nothing other than repeat its success. In this, the film is eminently effective. If you have seen the previous film, you can expect something extremely similar in this package. That is, a barrage of references to Nintendo intellectual property wrapped in a plot that provides the thinnest layer of emotional payoff for the characters.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?