
Two novice thieves are plotting to rob a bank in Vancouver. A photographer snaps a shot of one thief as he is carrying the bank building's blueprints. The would-be thief then begins a relationship with the photographer and attempts to retrieve the photos. Meanwhile, the thieves' plot consists of this: one man will enter the bank building after dark, while the other man sits in a van and uses a computer to unlock the building's doors. The final step involves transporting the cash to a freight ship waiting on the docks, for transportation to a money launderer in Macau.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
A South Korean romantic drama film that brings a strong first love story.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.