“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

In this wildly inventive hybrid documentary, the feature debut from experimental film and installation artists Yoni Goldstein and Meredith Zielke, viewers are transported to the space-age city of Brasília. A modernist architectural marvel, the city is a sparkling wasteland of machine dreams and aging monuments to a utopian future. Highlighting the sacred geometry of triangles and symmetry of lines, this sci-fi flick interrogates the semiotic structures that undergird the Martian outpost. With striking visuals and a thumping, electronic soundtrack, A Machine to Live In is a transcendent, transcendental voyage through Brazil’s cosmic capital.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Based on the fairy character from previous movies, this fantasy movie gives viewers magic.