The Critters Are Going 'Back to the Outback'
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.

A LUCKY MAN is a tribute to the popular Danish musician Flemming "Bamse" Duun Jørgensen, who has provided us with classics like “Vimmer Street”, “Why Does Louise Go Dancing” and “In A Boat That’s Itty-Bitty”. Behind the warm smile and the overalls is a powerful and moving story about a man’s lifelong pursuit of recognition and love. Flemming “Teddy” Jørgensen is the only child of 12 siblings to be given up for adoption. Flemming’s adoptive father wishes for Flemming to take over the family’s factory, but to the father’s dismay, Flemming chooses music and becomes the frontman of Teddy’s Friends. A fractured background that leaves deep marks in Flemming’s life. A LUCKY MAN is a warm and compassionate film that tells Teddy’s life story with his biggest hits as the soundscape.
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Why did Māhū, a term once respected in Hawaiian culture, become so controversial?