“Spider-Man: Brand New Day” Isn’t Very New
This is a film that is going to leave some people bored, and some people thrilled.

What compels a person to run 150 miles through the desert at the height of summer? Is it the need for achievement, the competitive instinct, or something deeper? A Long Way From Nowhere is a different sort of extreme sports film—one centered not around winning or extraordinary spectacle—but instead one focused upon the human spirit—on why individuals, knowingly or not, seek out some of the harshest climates on earth—in this case, southern Utah in June—and push themselves to, and sometimes beyond, the breaking point. Amongst the disparate cast of characters in this film is a veteran suffering from PTSD, a widowed single father, and a female police officer working in the field of human trafficking. Each undertakes the 150-mile Desert Rats stage race, each their darkest hour, and each, through the curious alchemy of extreme hardship and desert solitude, emerges with a new understanding of what it is to be human.
This is a film that is going to leave some people bored, and some people thrilled.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.