Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Small-town girl Mary Barry wins a beauty contest and goes to New York to meet D. V. Cortelyou, the magazine's publisher. Greatly taken by young girl, Cortelyou arranges for her to live with Dolly Griffith, a woman of questionable reputation who often aids him in his wicked schemes of blackmail and seduction. During a party seemingly in Mary's honor, Cortelyou obtains some apparently compromising evidence with which to blackmail Mrs. Young, the wife of a wealthy broker; Cortelyou then makes rough advances toward Mary, and one of his assistants, Jack McGuire, gives him a good beating.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
The sequel to the 2010 live-action movie focuses on sibling rivalry.
"Thunder Road" presents the grief that comes from a family member taking their own life.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.