Based on the novel of Mikhail Alekseyev "Bread — as a Noun." About the fate of a Russian woman who endured all the hardships of war and post-war life. After the war, those few who survived at the front returned to their native village. But Marfa's husband, whom she had been waiting for for so many years, would never return. Marfa, a beautiful and proud woman, remains true to her only love...
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
It's good for your film viewing needs, but isn’t going to shake your world. Demonic is trippy sci-fi fun, and that’s about it. And that's pretty cool.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.
