“Artemis Fowl” is Simply Foul
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl

Jamal has just returned to Australia after disappearing overseas for 18 months fighting in Syria. He's back in the country and wants to see his terminally ill mother, however he has to deal with his strong-minded older brother Omar, then his wife Heidi and their young son whom he left behind, but most importantly his unforgiving father. But why has Jamal really come back? Is he a militant with a cause or an easily led pawn in a bigger picture? A story about redemption, forgiveness and the consequences of your actions on loved ones and those you leave behind.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.