"Supergirl": The Bravery And Ferocity Of Dark Feminine Energy
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."

Using both found footage and her own material, Nina Fonoroff recollects the memory of her father. Constructing and deconstructing a portrait, she weaves family and friends’ remembrances with an inquiry into her own work process. Her searching attitude suggests that with the loss of her father came a question of the role, not of a particular father, but the father figure—a refusal of authority, and an appreciation of her father’s cycles of learning, teaching, learning. As Danny Kaye, playing Hans Christian Andersen, tells a group of children the story of the piece of chalk that saw itself as a the source, not the transmitter of knowledge, one senses Fonoroff’s sorrow at the loss inherent in the film image, and a yearning for the source of the image, not just its projection.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.