'Zom 100' Critiques Predatory Capitalism
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.

A visually stunning all-Hungarian production of Bartok's only opera, memorably led by Sir Georg Solti, one of the composer's greatest interpreters. The great Hungarian maestro, Sir Georg Solti, conducts the London Philharmonic Orchestra in a film version of one of the great Hungarian masterpieces of the 20th century. An all-Hungarian cast, led by the celebrated soprano Sylvia Sass as Judith.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
If you are a discerning movie watcher and/or an African-American with a modicum of Black consciousness, this film isn’t for you. It would be better to watch the documentary ‘They Fight’ to see the impactful, emotional story of Walter Manigan and the young men of DC’s Ward 8.
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