“My name is Xia Jinsheng. I trade in seafood. When I was 45, my son jumped to his death. On the 37th day after he died, I entered all of his online chat groups. I discovered that they were filled with young people struggling with depression, many contemplating suicide. I didn’t understand why. I left 19,000 messages, spoke to 127 boys and 49 girls — but I still haven’t found an answer.” Through the words and investigation of a grieving father, the film explores the silent digital spaces where despair gathers and the fragile connections that remain between life and death. It is a haunting portrait of love, loss, and the desperate human search for understanding in the age of online isolation.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Monster's plot is built around Steve Harmon's false accessory to felony murder accusation, and the anxiety and desperation experienced by him during incarceration and the corresponding trial.
Curry Barker’s film, Obsession, soars in success this past May leaving everyone who has watched it in extreme chills and disturbance. And taking it to new levels of why men are always the root of horror films even when they try not to be.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
