“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
It was always people for Joe, and he ultimately found them at the end of a long, painful, yet illuminating quest for self-discovery outside of one, confident constant - his bisexuality.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
A 3D animated film centered on chasing fame in the humble stomping grounds of middle school. Unfortunately, while the protagonist dreams big, the plot falls short and fails to capture even a semblance of diversity.
A 2020 Japanese anime movie that focuses on a high school girl who is desperately in love with her secret crush.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.