Ad Astra: Cinematic Hypnotism
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.

In the aftermath of the terrible Civil War which has devastated the South, Amanda America Dixon returns home to find she has become the sole heir to a vast cotton plantation. But the dreadful secret which has blighted her life threatens to deprive her of the birthright which her beloved father David had struggled for so long to create. Raised by her father and grandmother to be the perfect white Southern Belle, Amanda's true mother was a black slave Julia. Confronted with the forces of greed and bigotry, Amanda has to face not only the hatred of a racist world, but the complex truth of a family whose lives have been built on a lie.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.