
During the COVID-19 pandemic, filmmaker Vytautas Oškinis shared a home with his grandfather, former head of state Vytautas Landsbergis. Their quiet domestic life is punctuated by political commentary and the sounds of piano and flute. As Landsbergis revisits his most important documents and works before his fragile memory fades, Oškinis’s camera captures a story about the bond forming between generations, and about a spirited, creative mind residing in a body increasingly resistant to it. Their artistic collaboration culminates in a joint appearance on the contemporary opera stage in the film’s finale.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.