
Brunhilde Pomsel was a stenographer for Nazi Propaganda Minister Joseph Goebbels. Many people think that the dangers of fascism have been overcome, but she makes it clear that this is not the case.
“There’s always something you can do…to make people feel like they’re welcome”
2026 ranks highest in Oscars history for its representation of minorities in all categories, and that’s definitely something to be celebrated.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The power to function. As people, we are richly blessed to have the wide ranging scope of what we can accomplish…physically and mentally…that aid in everything we desire to strive for and, ideally, accomplish. However, what if someone was experiencing daily life with these elements….only in a more muted manner?