“Onslaught” is Insensitive, to Say the Least
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.

In 1938, John Patton Jr. found the key to our darkest secret–an anomalous skeleton neither animal nor man. Uncertain of its implications, Patton hid the discovery away from the world—though never forgetting what he found. Seventy years later, his grandson Gardner is forced to come to terms with his grandfather’s past, a man he never knew but in whose footsteps he inevitably follows. When his cousin, controversial documentarian Bart Thompson, arrives for a seemingly routine shoot, Gardner is eager to lend a hand. He soon learns, however, that Bart isn’t back just to shoot a movie–he wants to find the “discovery” their grandfather buried nearly seventy years before, and prove what he claimed was true. As his skepticism fades, and the lure of mystery grows, Gardner becomes distant from his foundations, including his live-in girlfriend Kelsey. Losing himself to the adventure, Gardner is hypnotized by a single possibility—that this “discovery” could be a direct link to God.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
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