Netflix’s ‘The Old Guard’ is an Entertaining Flick
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.

The reformed priest of Gát, Pap Énók, gets married. He is engaged to the worthy Miss Ica Zádor from Malomsk and Zádor. At the Easter 'priestess election ball', Énók could have chosen a wife from among thirty-five Gáti girls, but he asked the thirty-sixth, Ica, a young lady from Pest. Enoch, of peasant origin, had studied his way up to the middle-class intellectuals of the countryside. Ica, the scion of a ruined noble family, comes from Budapest to a low-class marriage, but Ica's rise to office could bring her back into the higher social circles she had lost through the family's decline. They married for love, but both were guided by interest and expectation. Ica is a vivacious woman of the world, dissatisfied, bored, longing to return to life and society in Pest. She finds strange amusements: sometimes she embraces, sometimes she torments her master. Enoch is head over heels in love, puts up with everything, and in return happily accepts the kisses he is rewarded with.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.