‘Moxie!’- Amy Poehler’s Attempt at Feminist Film
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.

Zoe Turner, an unconventional and lively British art teacher, falls head over heels for fellow rebel spirit Jean-Louis. But when their plans for a romantic getaway are dashed, she’s heartbroken. Zoe thus embarks on a daring pursuit of Jean-Louis in the picturesque Cévennes deep in the South of France. Accompanied by the determined donkey Napoleon, Zoe grapples with the absurdities and challenges of their journey. Along the way, they encounter new friends and perils that draw them closer, prompting Zoe to reevaluate her priorities, confront her life choices, and rediscover her joie de vivre.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
A baking competition that delivers cookies ‘n screams.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.