Mércedès, an actress from Paris attempts to break off a difficult relationship with the jealous and possessive stalker Johnny. She meets newspaper writer Pierre and goes with him for an afternoon fling. Before the sweat even dries, she finds herself hopelessly in love with him. But soon after their affair begins, he is called off on a business trip leaving the suddenly distraught Mércedès alone. Though preparing for a new play, she is unable to concentrate and barely able to function. Mércedès quits the production, locks herself in Pierre's apartment and quietly begins falling apart, collapsing into a bleak, reclusive madness until his return.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
