Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A Felicidade de Margô
After a stint with the police, Margô decides to tame her impetuous temper and adopt a different lifestyle in the metropolis of São Paulo, far from drugs and crime. Upon achieving her long-awaited promotion, an encounter with a law enforcement officer on the verge of a nervous breakdown puts Margô's dream to the test.
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After a stint with the police, Margô decides to tame her impetuous temper and adopt a different lifestyle in the metropolis of São Paulo, far from drugs and crime. Upon achieving her long-awaited promotion, an encounter with a law enforcement officer on the verge of a nervous breakdown puts Margô's dream to the test.
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Written By:Paulo Garfunkel, Teo Carlos Garfunkel
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