Christmas is anything but ordinary when three bickering siblings from a newly blended household cannot see eye to eye. The youngest one, while completing his annual science project, accidentally calls upon the spirit of Christmas. They wake up to find themselves having switched bodies, unable to change back until they learn to spend the holidays together as a loving family.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This Halloween movie is based on the toy line of the same name.
The tale of two friends spans three films and gives wonderful representation for young girls everywhere.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
