It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.

In Henrik Ibsen’s A Doll’s House, Nora Helmer, having fraudulently borrowed money to save her husband, is forced to reveal her secret and, in doing so, reassess her life as it stands. This production, directed by Carrie Cracknell, was captured by Digital Theatre live at London’s Young Vic theatre.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
A wondrously imaginative, diverse, and spirited allegory of childhood and the arduousness of adulthood.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
Like most young people, Leviticus is imperfect. But I love it anyways.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.