Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A day in the life of a sentinel, with some modernistic musical accompaniment.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
David Fincher is back in his playpen, with a dark and chilling thriller.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
In season 2 of “Never Have I Ever," Devi make many mistakes in a messier season that explores the complex lives of its diverse cast more in-depth than before.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.