Anne (Caroline Goodall) is a successful pathologist for a top pharmaceutical corporation, and her life couldn't be better. That is, until one of her oldest and dearest friends is murdered, turning Anne's world upside down. Not satisfied with the status of the investigation, she takes it on herself, and what she finds out could threaten her career -- and her life.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
