Caught Stealing: New York, Crimes, Baseball, and Cat
The trainwreck is hot but tame.

Um Dia na Rampa (1960), by Luiz Paulino dos Santos, focuses on a geographic space in the city of Salvador and tries to explain it from the social relations existing in it.
The trainwreck is hot but tame.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.