Ant-Man: A 2015 Marvel Comics Film
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.

On March 11, 2020 the WHO declared the outbreak of Covid-19 as a pandemic. At the time, almost no one predicted that this pandemic would drag on and on, make us sit at 'home', reintroduce curfew or even let us partly forget how it is to hug our loved ones. During this a year, we have more or less adapted to the ‘pandemic lifestyle’. Some have been significantly affected while others have remained almost unchanged. Exactly a year later we look at ourselves - how does this adaptation look? Or - have we adapted at all? This story is told by 624 submitted videos all filmed in a single day - on March 11, 2021. Filmed in Georgia, Finland, France, Switzerland, USA, Russia, the Netherlands, New Zealand, Lithuania, Latvia, Poland, Canada, Brazil, Belgium, Iceland, Spain, Vietnam and Malta.
Ant-Man is a 2015 live action film based on the Marvel Comics characters of the same comics series, including Scott Lang and Hank Pym, along with others.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
It's not love. It's Obsession. The hook of this movie is the tension between wanting to be loved and the fear of being all-encompassed by that love. It plays on men’s typical (though certainly not universal) inner-conflict
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
An action film led by two queens, fighting for what they believe in through power and pain.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.