Let's Rock 'That Girl Lay Lay'
This Nickelodeon live-action TV series features strong Black representation.

Zhao Dachuang, a film worker with a dream of making films, received an invitation from a mysterious investor to be a producer for a film. Zhao is overjoyed and immediately puts together a messy film crew. But after the film starts, the prop warehouse is burgled in the middle of the night and Zhao finds out that the thief is the female lead Xiao Jing. She tells Zhao that the real purpose of the mysterious capitalist is to use the filming as a pretext to transport the three artifacts stolen from the museum, while she infiltrates the set to track down the culprit and recover the artifacts. A simple filming turns into a game of cat and mouse. Zhao Dachuang and Xiao Jing team up to fight with the prop master.
This Nickelodeon live-action TV series features strong Black representation.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
The newest in a long line of Cinderella adaptations, Amazon’s Cinderella (2021) prizes girlbossification above the very story it tries to adapt.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.