Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
A Christmas Story Christmas poster

A Christmas Story Christmas (2022)

Follows Ralphie, now adult, who returns to the house on Cleveland Street to give his kids a magical Christmas like the one he had as a child, reconnecting with childhood friends, and reconciling the passing of his Old Man.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Follows Ralphie, now adult, who returns to the house on Cleveland Street to give his kids a magical Christmas like the one he had as a child, reconnecting with childhood friends, and reconciling the passing of his Old Man.

Rating:PG
Genre:Comedy, Family
Directed By:Clay Kaytis
Written By:Clay Kaytis, Nick Schenk
In Theaters:11/17/2022
Box Office:

Runtime:102 minutes
Studio:Wild West Picture Show Productions, Legendary Pictures, Toberoff Productions

Articles You May Like


"First Girl I Loved": A Well-Intended but Ultimately Flawed Story of Identity

Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian. 

Marisa Jones

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood