Meg, a music manager, travels from New York to London to manage a boy band, Five Together, and find them a Christmas number one to bolster their flagging career. She finds a song on the internet posted by an ailing thirteen-year-old girl, Nina, and tries to obtain permission to have the song re-recorded by Five Together, but she discovers she has competition from the songwriter, Nina’s uncle Blake. What follows is a romantic comedy about two worlds colliding – with a young woman at the centre who desperately wants her uncle to find love and for his song to hit the number one spot by Christmas Day.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
