EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

Leslie has done everything right in her life except for finding Mr. Right, until the spirit of Christmas leads her there in an unusual way.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Masterful satire that shines a light on the struggles of Black creatives.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.