A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen. Recorded live on Broadway in January 1980.
Director
Scott Pearson
Zach
Michael Day Pitts
Larry
David Thorne
Don Kerr (#5)
Betty Lynd
Maggie Winslow (#9)
Don Correia
Mike Costa (#81)
Janet Wong
Connie Wong (#149)
Danny Weathers
Greg Gardner (#67)
Cheryl Clark
Cassie Ferguson
Kathrynann Wright
Sheila Bryant (#152)
Ronald Stafford
Bobby Mills (#84)
Karen Meister
Bebe Benzenheimer (#37)
To say Hollywood has had a troubled past is the understatement of the century. In Ryan Murphy’s (American Horror Story) new Netflix series, Hollywood, that past is confronted and even rewritten.
Those perfect Summer or Fall days. The sun is shining, the temperature is JUST right, and you've got nothing else to do. Therefore, isn't it time to get outside and take a nice stroll through the park, or along the shoreline (should you be that fortunate), or even just around the neighborhood? Sure. BUT.....if one lives in the America found in the newest film adaptation of the work from horror author/cultural icon Stephen King.....doing this SHOULD be the LAST thing you hope to find yourself engaged with.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.