Lemuel Gulliver has had a car accident and continues his journey across the unknown countryside on foot. On the road he finds a dead rabbit dressed like a man and takes a watch from its waistcoat breast pocket. The half-ruined house that he enters reminds Lemuel of his childhood and brings up a painful memory of a dearly loved girl Markéta who was drowned years ago. Gulliver finds himself in Balnibarbi, a country where he doesn't understand the laws and habits and so continually offends against public decency. It is a day when people are ordered to keep their mouths shut and they force their visitor to follow suit. He faces harsh interrogation and finds it difficult to explain that he is not the rabbit Oscar whose watch has been found in his possession.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
“Ad Astra” is a film that possesses similar beats to sci-fi classics, falling into the realm of cinematic hypnotism, and pulling us in with its mysteriously intoxicating identity.
