Film about friendship between a boy and a horse. The boy and his horse love and trust each other and spend their time together running in the fields. But the boy's father decides to sell the horse because he can no longer financially justify keeping it. His son's tears won't make him change his mind. The horse is sold. After returning from school, the boy starts searching for the horse: he looks in the barn, in the yard, in the fields, even at a market. But it is all in vain. Finally, the boy finds the horse at a railway station, already inside a train wagon. A tractor driver meets the boy who is lonely and sad and shows understanding for his pain. A new friendship is born.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
A24 keeps producing amazing films and X belongs with all the brilliant titles under its name. And is definitely a must-watch for a film enthusiast!
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
