
In a declining small town, an idle boy encounters a heartbroken girl. Trying to escape, they devise a secret plan and set off for a one-way journey.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?