Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.

In the ranks of the Japanese army during WWII, there existed what was known as comfort women. In the present, that term was replaced by a definition that is closer to reality—they were women who had been kidnapped and turned into sex slaves. After a long period of humiliation, the victims remained quiet, but some of them built up the courage to write about their ordeals in a series of letters. Cecilia Kang’s new documentary recovers those testimonies in order to talk about the way in which History and social mandates affect the lives of Korean women in Argentina, from the perspective of a young acting student who, after coming into contact with this correspondence, allows herself to reflect on the community she lives in and understand more about the traditions of her people as well as her own family history.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
Dora is the superhero we didn't know we needed.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.