TIFF ‘22 Coverage: ‘My Policeman’
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.

In 'A Arte de Ser', three visual artists from Barra do Piraí reveal the power of creation as a way of existing. The documentary delves into their lives and works, showing how each transforms their own experiences into art, confronting invisibilities, affirming identities, and building new ways of existing. With a reflective and intimate gaze, the short film proposes a pause to see art as a mirror of the self and society.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Not every silence is empty. Some are filled with things too heavy for words.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.