Starting with its inception in 1986, the all-ages nonprofit punk venue at 924 Gilman St. in Berkeley, Calif., was a mainstay of a thriving music scene. In this punk-tastic documentary, filmmaker Jack Curran takes a loving look at the historic club. Chronicling the DIY roots of the volunteer-run establishment, the program features interviews with Jello Biafra, Ian McKaye, Lars Frederickson and Matt Freeman, as well as many live performances.
Make no mistake about it, Gilligan has created a continuation that earns its place in the annals of Breaking Bad lore. El Camino isn't a forced entry in an otherwise brilliant world of fiction. This is a satisfying take, which manages to give closure to an iconic character of fiction.
There's no hiding the horrors of war in this inspiring story of survival
Mala tripped over in a company Diwali party, which led to unexpected visits and realizations.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
