'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

September 11th 2001, the day America was under siege. Thrust into defense against the deadliest disaster ever faced. The four coordinated attacks by nineteen individuals, driven by religious extremism, claimed the lives of thousands that day, exposing flaws in the defence of the mightiest nation on the globe. The chaos in the skies sent radio communications into meltdown. Follow the key aspects of the nation's response as the gravity of the situation unfolds before your very eyes. Through official FAA, Airline, Military and NYC Fire Department recordings, as well as archival footage and reenactments, retrace the critical moments that forced American society to change forever. This documentary will expose the frenzied communication that took place over the airwaves as flight attendants, aviation authorities and the president grappled with a nightmare. Join us as we observe and reflect on the darkest day in American history as we recount those moments minute by minute.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
I believe in homages, but there's a proper way to borrow a creative idea instead of making it appear as if you hit the copy and paste button. Most likely, anyone is better off simply reading the books. Or just put on Scream.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.