A geography teacher who is assigned from a rural district to Baku moves into a rented apartment with the help of a close friend. After a murder that takes place in the house, spirits begin to communicate with the teacher. Paranormal events occurring in the apartment, unexpected visitors, and a small child encountered on the street all convey hidden messages to the protagonist. But who is responsible for these murders, and why are the spirits unable to leave the house?
Overall, Matthias & Maxime doesn't reinvent this romantic concept. But it also doesn't need to. Dolan weaves a story of love, friendship, and life that is both realistic and bittersweet. The film is nuanced and sensual in a way we don't get to see often with LGBTQ characters. It's a film that we can celebrate.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Emily and Stephanie are back... just add gin and drama.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
