The Drama: A Marriage of Discomfort and Empathy
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.

This director is the worst and the best. The protagonist, Wakaizumi, makes films with his university friends, but despite being a director, he has no credibility at all due to his selfish and unprincipled nature. He has no finished films. All they have are rumours that he is a strong fighter and that he has eaten cockroaches. Wakaizumi says he wants reality in his films, but he does not know what reality is. Days seem to be unchanging. But as much as something about him hurts people, something about him attracts them, and the filmmaking continues. The well-crafted double structure in terms of composition, direction and camerawork goes beyond the framework of a self-proclaimed 'personal history film' and gives us the best of both worlds: fiction and non-fiction.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
Facing the world with our fair share of uncertainties and/or apprehensions, many of which, sadly, may be well-founded, is nothing to sneeze at. Influenced and buffeted by the constant barrage of social media, fake news, and general upheaval present in our contemporary reality, what IS real and what's not becomes a blur.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.