A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.

Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
In a post-Gamergate media landscape, it's ambitious to have a film confront the harsh reactions to women in gaming from a comedic lens.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
Spirited inverts the tropes of the holiday musical genre to update an age-old tale for 2022. It's a paean to those who make grand spectacles possible.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.