
Once upon a time, there was a woman named Therese von Ludowing who lived far from society in Thüringen with her son, März von Ludowing. But, Therese's reputation for her herbal remedies resulted with her being captured by two men in plague masks to be condemned a witch--due to the Black Plague occurring at the time. Although Therese attempts to fight them off when her son unknowingly brought the men to their hut, she is captured while März is tossed into the well outside their home, and she curses the world in her final breath before her execution. The following night, his once white hair stained black - "the color of dusk" - and no memory of who he was, the reborn Märchen von Friedhof emerged from the well after being awakened by a living doll named Elise. Elise compels Märchen to aid seven "princesses" in taking revenge in seven tales to achieve their own revenge. Each tale revolves around a deadly sin.
In this coming-of-age movie centered around senior prom, Mandy is anxious about her acceptance into Harvard while she realizes she's missing other opportunities.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
If you mix religious rituals with dark mythology, the result will be effective, and the story powerful in 90% of the cases. That is exactly what happens at the beginning of The Vigil.