
71 is about the sensibilities of the black middle class as observed by Jessica Taul and Pamela Patterson, the filmmaker's mother and aunt, respectively. They discuss their differing tastes, definitions of class, frogs, and other qualifiers they consider in their evaluation of the space that they live in: a suburban-like outcropping of identical housing units. Through direct quotation and phenomenological relation to Bill Greaves’ seminal film, Still A Brother: Inside the Negro Middle Class (1968), 71 navigates the temporal gaps in conformity and respectability politics between 1968 and 2022.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.