Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A broken family is forced to come together when 16-year-old Finn and his livewire younger brother Charlie run away from trouble at home in England to reach their estranged grandfather on Ireland’s stunning and wild west coast.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
A film about family and sacrifice... and carnivorous locusts coming after you.
A young woman who dislikes dogs changes forever when a beloved pet comes into her life in this heartwarming story for animal lovers.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
The trainwreck is hot but tame.