Kamilah Rae Lewis Interview on her Basketball-Playing Father Raymond Lewis
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.

Jung-in is the professor of western psychology decides to take a break of his teaching and moves to his new house in country side with his wife. They went to say hello to their neighbor and when there was nobody at home, they left a note. Next day the neighbor comes to visit at 4pm. When he left the couple didn't think it was a simple response to the note they left. But the doctor, neighbor comes everyday and ruins the couples peaceful times. As time passes, the couple. the couple feels pressure and drives them insane.
Spotlighting the legacy of the legendary Raymond Lewis through the love of a devoted daughter.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
As an Indian lesbian living in the United Kingdom, the cards are stacked against Geetika from the start.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.