The Lack of Exposition Makes 'Fast Color' a Compelling Narrative on Repressed Personalities
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents

"This is about Times Square, the noise and movements at this most well-known intersection. I used a color separation technique – it was originally shot on black and white film through color filters (red, green, and blue), then optically printed onto color film through these filters. The layered images of shots by the handheld camera would agitate the scenes, and the advertisements on the digital billboards try to pull ahead of others." (Tomonari Nishikawa)
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
I think these messages and the way they are presented in this small-town in Texas are increasingly more important as the internet/ social media becomes more and more critical and judgemental every day. Love yourself today and every day because as Ru Paul always says: “If you can’t love yourself, how in the hell are you gonna love someone else?”
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Adam Sandler goes hard as an NBA scout in this male-heavy sports-drama.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.